The Tuesdays are all caught up in the season, so we’re taking a holiday from our blog posts. Happy holidays! We’ll see you in the new year!
The Tuesdays are all caught up in the season, so we’re taking a holiday from our blog posts. Happy holidays! We’ll see you in the new year!
I recently listened to a Louise Penny book about Chief Inspector Armand Gamache of the Surêté du Québec. It’s exactly the type of mystery that I love, so I searched out the first book in the series so I could read from the beginning. In the beginning of Still Life, one of the characters, Jane, decides to enter a painting in a juried art exhibit. The detail of the story explains that Jane has been painting for years and has never shown anyone anything she’s painted. Ever.
I was dumbfounded.
How can she expect to improve?
Many years ago I took a studio art class at Boca High. It was one of those evening classes for adults that only cost around $40 for six weeks. The teacher gave us a blank sheet of paper and asked us to draw a face. Most of us, including me, didn’t make use of the entire page. In looking at my drawing in particular, he explained that the eyes aren’t really that close to the top of the head. They are actually more in the center. In five minutes I was already a better artist!
So who’s looking at your work?
Your mother, spouse, children, and students don’t count.
So now what’s your answer?
A critique group is a great place to start. Most writing organizations have lists of critique groups. Search Meetup groups. Find one that meets at a time and place convenient to you and try it out. My first critique group was not a fit for me. I kept at it and have been in several that worked!
Get a professional critique. Most conferences give an opportunity for such a critique at a nominal fee. If you’ve got an entire book, there are professional editors who charge by the page.
Here’s the bottom line. Whatever they say, use it to grow into a better writer.
Cathy: Barry Manilow – Copacabana Tour. I’d actually forgotten about it, but I was trying to remember a concert I really looked forward to–and it was this one! I was a freshman in college. My friend Melody (not our Tuesday’s Melody) and I had tickets. We went to the University of Illinois for the concert. It was a real happening!
Melody: The best concert I’ve ever been to was Paul McCartney back in the mid-1990s. My then-boyfriend won tickets from a radio station (he was a HUGE Beatles and McCartney fan), and we drove three hours to St. Louis to see him. That was the first concert I’d ever been to, and no concert since can compare in terms of pure fan comraderie and excitement.
Jonathan: Tough one, since I’ve seen so many concerts where I’ve thought, This is the best! But two stand out above the rest. Bruce Springsteen and Barry Manilow both put on epic shows. Yes, they are two very different types of performers, but for their fans, they both give long shows, which cover a ton of their songs. Not that I didn’t love the other concerts I went to, but these two ranked among the best.
Faran: Best concert has to be Billy Joel on New Year’s Eve. He sounds so authentic live, and I sang along with every song. His concerts are always amazing because he has so may hits, and you never know which ones will be played. I also went with my wife and close friends, which made it more special. Billy even brought on some special guests, Howard Stern and Jimmy Kimmel, just before midnight.
Stacie: I’ve attended many concerts over the years and all of them have been unique and wonderful experiences. I’ve been lucky. From Bruce Springsteen to Peter Gabriel to REM to The Who, I’ve loved them all. But my favorite all-time concert, even surpassing the two times I saw Eric Clapton or Tom Petty, my favorite concert was David Bowie. He brought so much magic to the stage. Man, he was something.
Well, I wasn’t able to attend Writer’s Group on Tuesday, so my wrap up is going to be more about my writing week than about what actually went on in group.
I took a workshop a few months ago, taught by the fabulous Lorin Oberweger, where she asked us to identify our protagonist’s predominant emotion in chapter one. Then she told us to start writing chapter one again with that emotion in mind, but this time, try to make the emotion over the top. She suggested that what we think might be over-the-top is actually exactly what the chapter needs.
So I tried it. I decided that my fifteen-year-old protagonist’s predominant emotion in chapter one was desperation. The book starts off with her living in a homeless shelter with her mom and she’s desperate to get out of there, to have her life return to the way it was before her mom started drinking. In my previous draft, her desperation was there, but it wasn’t over-the-top by any means. So instead of merely implying the emotion, I let it seep into everything—her narrative voice, her thought processes, her dialogue—so the whole chapter was dripping with it. And can I just say? Lorin was right. At first it felt like I was going overboard, but it actually makes her more relatable—and more likeable.
If you’re concerned that your first chapter needs more oopmph, I would totally try this. Identify your protagonist’s predominant emotion and then amplify that emotion to the point where you think it’s too much. You might decide that you don’t like it, but so much of writing is trial and error (at least for me) and if I didn’t try to stretch myself, I’d never get better.
I’ve learned that writers have a wonderful sense of community. Most all of the writers I’ve met are supportive and willing to share things they’ve discovered. Today’s Tuesday Tip for writers is to enter as many contests as possible once you’ve finished all those layers of revision. This Thursday, December 7th, at 8am, PitMad starts. It’s a great opportunity to pitch your manuscript to multiple agents.
#PitMad is a pitch party on Twitter where writers tweet a pitch of their completed, polished, unpublished manuscripts. You can only tweet three (3) pitches. They can be different pitches or the same pitch per project for the day. You’re allowed to pitch more than one project. Pitches can be 280 characters or less but a brief, concise pitch is best and will help the agents read through the Twitter feed more easily.
The agents and editors tweet their submission preferences then favorite your tweet if they want to see your work. If you get a favorite from an agent or publisher, check their submission preferences on their twitter site and send their request promptly. If they haven’t listed their preferences, follow the submission guidelines on their websites. Putting “PitMad Request: TITLE (of your manuscript)” in the subject line of your email when sending to the agent or editor.
Don’t tweet agents and publishers directly unless they tweet you first. Make sure you research each requesting agent or publisher so you know you are compatible. You do not have to send requests to those requesting if you don’t want to work with them.
The pitch needs to include the hashtag #PitMad and the category (#A, #NA, #YA etc.) in the tweet as well as the genre (#S, #T, #R etc.) The “#” is critical. It sorts the categories for the agents and editors. More on categories and genres at pitchwars.org/pitmad.
Don’t favorite friends tweets. The agents will be requesting by favoriting tweets. They allow Retweeting of your friends tweets. Use Quote-RT and add a comment to the retweet to mention your support. If you have any questions contact @HeatherCashman or one of the other hosts monitoring the feed.
I’ve just finished the revision of my manuscript. Here’s my pitch. RAGER: a college freshman who parties like he’s possessed meets the girl next door exorcist.
What do you think? If you see it go by on Twitter this Thursday give it a retweet. PitMad is a great opportunity to get the pitch of your completed manuscript out there. Have fun with your own pitch. I wish you luck!
One of the best things about being a writer is that I get to make things up. Pretty cool, right?
When I’m spending time in my head Imagining the type of world in which my character lives, every detail from the house to the bedroom to the mementos in the room matter.
You want to know a secret? I don’t only fantasize about building worlds for my characters, I also do it for myself.
Yup! Summers in Florida are brutal, so by August, when I’m totally over it, I fantasize about moving up north. Every single year. I’ll go online, pick a place to live, look at houses for sale, check out jobs and schools, and, of course, book stores. You know the important things.
And then I started thinking, not just about houses and rooms, but also about spaces. The perfect kind of spaces, you know? The ones that are specific. Planned. Designed. Reading spaces, in particular.
I was a reader well before I was a writer. Reading was my first and has been my most trusted boyfriend (don’t tell the hubs! Lol)
So if I was going to design a reading space, I wanted to do it right. But I was having the hardest time choosing just one type of space. And seriously, why sweat that kind of decision? The way I see it, if I can have anything I like (which I can since it’s my dream), I’m going high-end. And I’m also not limiting myself to just ONE reading space. Nope. And suddenly that felt sort of brilliant. Why not design a perfect reading space specifically suited to the book you are currently reading.
So…if I’m reading an emotionally loaded book about a high school junior who is the survivor of a sister suicide pact, I’m going to need a soft, soft, chair, and a very pretty lamp. All of the pieces should reflect the sensibilities of my main character, Allie, who is an artist.
I think I would like to read about Allie while sitting in a big overstuffed chair with major flare. Maybe a bold checked pattern like this:
Now… when I want to get in John Strickland’s head, I’m going to need strong and architecturally appealing pieces. So for my The Homecoming reading space, see below:
Doesn’t that just look like John?
This next reading space has me REALLY excited. Why you ask? Well, I’ll tell you. My newest book will be released in March 2018. The pre-order links are already up on all the sites. Yay! So now I’m visualizing a reading space for The Secrets We Bury and I think it will have to have a vintage inspired piece like this. I could totally see #Dylan in a coffee shop with something like this in it. And when I’m reading about him, that’s where I’d like to be also.
By Faran Fagen
For Fun Friday, thought I’d share an article I recently wrote about all the great things the Society of Children’s Book Writers and Illustrators does for lovers of childrens books in South Florida. Some familiar Tuesday folks you might recognize. Enjoy!
The characters in books should feel like authentic walk-off the page people. They exist before your story takes place, and endure long after you close the book, at least in the minds of your readers.
This was the message relayed by Wellington author Stacie Ramey as part of a monthly series of writing workshops at the West Boca Raton Library in partnership with the Society of Children’s Book Writers and Illustrators (SCBWI).
Ramey’s October lecture on character development encouraged the 40 writers in attendance to put themselves in the shoes of their characters and to discover more about their characters’ backstories and possible futures.
The workshop was the eighth of 2017 in a series created by SCBWI to promote the written word throughout South Florida. The classes are offered the third Saturday of the month, and culminate with a short trip to Panera Bread for casual follow-up conversation with food, coffee and friends.
“These workshops have helped me hone my craft in so many ways,” said Ramey, whose third young adult novel, The Secrets We Bury, debuts in March of 2018. “Lorin Oberweger’s workshop on iconic characters was fantastic and taught me how to write epic characters.”
Oberweger, of Tampa, is an editor, ghost writer, and literary agent. One of the aspects she touched on in her workshop, one of the first of the year, was getting to know your characters and their good traits by “how they battle adversity”.
For Cathy Castelli, an aspiring children’s book author from Delray Beach, her top “Aha moment” came during a workshop taught by author/illustrator Fred Koehler, of Lakeland.
“He asked us to write a death scene without using all the words generally associated with death. It was certainly a way to avoid the cliché,” said Castelli, who attended several of the library events. “The workshops are important because I can get into too much of a routine with my writing. Attending a workshop stirs up my work in the best way possible.”
Castelli also attended an SCBWI Boot Camp in October. The Boot Camps, offered in Wellington, Davie and in various cities throughout the state, offered a full day of writing craft and helpful hints. SCBWI expanded its activities this year for those who can’t attend the annual SCBWI conference in Miami in January.
This year’s SCBWI Miami conference, Jan. 12-14, features Greenacres resident Shutta Crum, one of the guest speakers and author of 16 children’s books.
“We have some great speakers coming to the conference,” said Davie’s Dorian Cirrone, SCBWI Florida Co-Regional Adviser. “I’ve always wanted to meet Melissa Manlove, who is a senior editor at Chronicle Books. She discovered the best-selling picture book, Goodnight, Goodnight Construction Site in the slush pile. We also have Sylvie Frank from Paula Wiseman Books/Simon and Schuster and Amy Fitzgerald from Carolrhoda.”
Literary agents attending the conference include Oberweger, Jennie Dunham, Nicole Resciniti and Marcia Wernick.
Author Jonathan Rosen of Tamarac will be speaking on the first book’s panel at the conference. His debut book, Night of the Living Cuddle Bunnies, was released over the summer.
In the monthly library series, Cirrone’s teachings pushed Boca Raton author Debbie Reid Fischer to rethink how to write a modern-day version of an old classic novel.
“I’m already outlining a new novel based on her excellent tips,” said Fischer, whose middle grade novel, This is Not the Abby Show, received three book awards last month. “Now I have a new book in the works and I’m so excited.”
Fischer, known for her sharp wit in her young adult and middle grade novels, was a library speaker on the topic: Humor, Pacing and Plot.
“It’s always worth it to show up to these workshops,” Fischer said. “You never know what the result will be from a nugget of inspiration or instruction. If you come away with just one thing you can use, it’s time well-spent.”
On Nov. 18, author and writing coach Joyce Sweeney, of Coral Springs, gave the West Boca Library workshop: From Image to Inspiration, from noon – 2 p.m. Sweeney shared the story of her poetry collection, WAKE UP, and read selected poems.
South Florida SCBWI Meeting Volunteers Mindy Weiss of Delray Beach and Marjetta Geerling of Hollywood run the monthly library workshops. Contact Weiss to RSVP, if you have questions, or want more information: Mindyaweiss@yahoo.com
For more information on either local events or the upcoming SCBWI Miami conference, visit florida.scbwi.org.