Simone Kelly on Marketing your Book like a Pro

Simone Kelly, CEO of Own Your Power® Communications*, Inc., embodies an inspirational and universal force that energizes you. As an author, holistic business and life coach, motivational speaker, media personality and certified Reiki –Master teacher, Simone helps her clients achieve the balance they desire. She’s the woman who leads by example as she “owns her power.” In turn, her clients see how “owning their power” will energize their own business ventures, quests for health and well-being. Simone got her marketing degree in 1996 and became certified as a business coach in 2003. Simone’s new novel, Like a Fly on the Wall was released in July.

Q: Simone, what made you want to write Like a Fly on the Wall?

My grandmother passed away mysteriously before I was born. I always wondered about the circumstances of her death. I was inspired to write about a family mystery. I’m very intuitive. When I spoke to my mother about things I saw or heard as a child, she didn’t understand. I wanted to have a character that was very intuitive. I made that character male, since more females follow their intuition. I wanted to have people relate to their own intuitiveness through a steaming hot hunk of a guy so that they realize that intuitiveness is a gift we all have.

Q: Can you share some of the tips you spoke about at the Mystery Writers of Florida meeting? 

  • Marketing lesson #1 is: get e-mail addresses. Get them at every event and make sure you can read it before they walk away. Get e-mail addresses on your website. Have a newsletter about what you’re doing to stay top of mind. Everyone uses their phones for e-mail now so make sure your content is mobile friendly.
  • It’s important to know your clients. What are their ages, hobbies, income, education and personality types. Ask book buyers how they heard about you. Friend them on Facebook and write them a note. Befriend people who want to promote you.
  • Make your fans a star. Put your fans in the spotlight. Have fans join your mailing list. Give out prizes. Create a Beta Readers Club for super-fans after your first book is out. Offer them an advanced copy of your next book. Get photos of good-looking people with your book. Post them on all your Social Media sites. If you know someone with clout, give them a book and ask for an endorsement.
  • You can also collaborate with other authors to cross promote. I got 1000 new friends by doing a contest with two other authors to win three books every Friday one month. Find a celebrity who can benefit from something in your book. Partner with them and promote each other. Ask influential people to read the first fifty pages of your book and comment on it.
  • Remember to follow up on events and requests. Always try to set up face to face meetings if possible and make sure you follow up with a phone call or a thank you note. Send the book store manager a thank you after your signing. Call the friend who got you an interview or speaking arrangement. When you are nice to people, they return the favor.

Q: Your main character, Jacques is very intuitive. You bring this to the forefront at your book signings and have clients do an intuitive exercise and then prompt them to pursue their intuitiveness. How does one do that?

Practice with little games. Something as simple as guessing what time it is before you look at a clock, or guess what the next song on the radio will be. When I first moved to Miami, I used to call my friend in New York every day and guess what she was wearing. I got to be so accurate, I thought she was lying to me. She actually had a co-worker verify what she was wearing. The practice really worked well for me. If you don’t have the practice, you don’t trust yourself. You don’t trust that inner voice. You have to build the confidence that you really can do it. I was blessed when Harper-Collins allowed me to include an essay on intuition at the back of the book to help people out.

Q: What’s your next book going to be?

The title is still a work in progress. I have the same characters, along with some new ones. Jacques, being intuitive, is going to be looking into past lives. The Vegans are going to love it because when Jacque becomes a Vegan, he sees and understands the unseen even more. Jacques will be able to touch someone and see things that can help them with problems in their current life.

Q: Since you are very adept at promotion, how do you plan to promote the new book?

I really want to get it to be a TV series. I did my own book trailer for Like a Fly on the Wall. I recruited the actors and I did the directing. I’d like to do a Netflix series or something on cable. I’m working on a web series now. I like to collaborate with people and trade talent. I have offered to help some people who are familiar with the film industry in their personal promotion so that I can learn more about it.

Q: Where would your web series be posted?

It can go multiple places, like YouTube or Vimeo, and definitely Facebook. I’m planning a series of five, for the first five chapters. I’ll put one out every month or so. I need the funds to do it and I’ll have to get actors and sponsors, which I did for my trailer. When people know you have a following and will promote them, they’ll work for a discounted rate or trade for my consulting services for their own businesses. I use all the leverage I can get, and so should you in your book promotion.

 

Own Your Power Communication’s* (OYPC) mission is to serve as an empowering guiding force assisting entrepreneurs as they connect with their fullest potential and grow exponentially. You can reach Simone by e-mailing simone@ownyourpower.biz, or at http://ownyourpower.biz/store/like-a-fly-on-the-wall/

Wrap-It-Up Wednesday

 

The Tuesday Writers met yesterday for our critique. We each take a turn reading eight to ten pages then the group does a verbal critique afterward. We missed Stacie this week as she was out for a work conference.

Cathy read first. She’s working on a historical novel, homing in on what her character is lacking as well as working on theme. She did a good job setting her character up to show what’s going on in her life. There were some outstanding moments where my stomach tightened as I felt the emotions of Cathy’s character. Faran had a great suggestion to look at the story’s inciting incident and work backward from there to the beginning of the novel to see what the main character needs.

Faran was up next. He rewrote the beginning of his current work in progress about a baseball player and his attitudes. Melody suggested that the character’s language was a bit strong for chapter one and that those words might be more effective with rising tension later on. Faran’s third scene had really good description of some of the plays of a baseball game. I could see the action playing out before me and feel the tension of his character.

Melody who often reads first, stalled until the third slot. She decided not to read her chapter as she’d been mulling over some changes as we talked and figured she wanted to implement them for better impact before reading the chapter to us.

I was up next. I’m doing revision on my work in progress about a college freshman. I revised a chapter leading up to the first plot point. Melody suggested I cut out some of the explanations in the dialogue. Cathy offered that I have my secondary character be vaguer about an idea she has and that my main character draw the idea out. Jonathan suggested my main character use more fraternity lingo.

Jonathan tempered the humor in his novel for a chapter to have his protagonist spend time with a girl he likes. The chapter was more reflective and less raucous, but kept the story moving forward.

Looking forward to next Tuesday!

Interview with Deb Sharp, Author of the Mace Bauer Series

Florida author Deb Sharp is like the main character in her “Mace Bauer Mysteries,’’ Deborah Sharp’s family roots were set in Florida long before Disney or Miami Vice. As a native and former reporter for USA Today, she knows the spots not found on maps: Molasses Junction. Muse, and now, Himmarshee, her own tiny slice of “Authentic Florida.’’

To create Himmarshee, Deborah borrowed from the present-day ranching town of Okeechobee, and from the south Florida of her family’s past.

Not far from Ft. Lauderdale, her dad used to walk to town, leading the family cow. A generation later, Deborah rode her horse over the same citrus- and ranch-dotted terrain. Now, it’s all interstates and strip malls.

The difference between Mace’s hometown and hers: Deborah will never let Himmarshee be spoiled by sprawl.

Q. You’ve written a number of hilarious mystery novels in your Mace Bauer series. How did you come up with the concept for your novels?

I wasn’t a fiction writer. I was a journalist, but I always wanted to write a mystery. I saw so many sad stories as a journalist I wanted to write a funny mystery. I saw a full page ad of a woman in a turquoise convertible in the Miami Herald. I started to think about the type of character who might be riding around in a turquoise convertible and what could happen. That woman is MAMA and I decided to write a story about where she goes in the convertible. From there I figured she would be from an obscure part of Florida and that she would have three girls. The book started with MAMA discovering a body in the trunk of the convertible. That started the whole series.

 

 

 

Q. You spent a number of years as a reporter for USA Today. Was the transition to novel writing a challenge for you?

It was a lot harder than I thought. I figured I’d been a professional writer for twenty-five years, how hard could it be? Journalism teaches you to leave out what the people you interview are thinking or feeling. I had to learn to put emotion in my fiction. It actually took me a couple of years to get it right. I took a lot of workshops, went to Sleuthfest conferences and joined a critique group. All of those things helped to become a fiction writer.

Q. Do you consider writing an art, or a craft, or a mixture?

Some people are artists when they write. I always thought of it more of a craft. For me it was a profession with the journalism. I felt like saying “I’m an artist” didn’t describe the kind of writing I did, so to me it was more of a craft. There can be artistic feelings that go into writing, but I believe it’s a craft. People have a talent for observation or expression, but to put it all together is something that you have to develop. You can’t just sit down and paint a masterpiece. You have to cultivate your talents and work at them.

Q. You’re really good at marketing. What do you feel are the most important aspects of marketing?

I got a lot of reviews from newspapers in the beginning. The platform has changed since then. Physical newsprint has scaled back and social media has increased. I think something that a lot of people overlook is just being a nice person. Helping out and volunteering gets the word out that you’re willing to give back and that opens people up to you. A lot of people think they need to work to build their brand. I think you can build your brand by being kind to other writers even though it’s old fashioned and low tech. I’ve always felt more comfortable helping someone else rather than pushing ME-ME-ME on social media.

Q. You are good at asking questions on social media that draw many responses from your fans. How do you go about it?

I think it’s because I’m curious. I’m interested what other people think, and I guess it’s easy for me to formulate questions because I did it with the journalism.

Q. What are you reading now?

HaHa! The mystery writers out there might be disappointed that I’m reading chick lit at the moment. I like Jennifer Weiner and I just got something by Sofie Kinsella. I do have a new Michael Connelly novel that I picked up, but I’m enjoying the chick lit right now. I don’t know that I’ll ever do anything in that genre, but it’s light and it’s fun for me at this point.

Q. As you know, we are a critique group. Do you participate in one?

I’m not in a critique group at the moment. I am a huge advocate of critique groups. I was in the Thursday night critique group run by Joyce Sweeney. What was beneficial to me, was hearing from other writers who didn’t have a journalism background. They could pinpoint exactly where I needed to punch things up on emotion or description, things I was scant on from my previous training. In a critique group I think a person should find something nice to say, not be a slash and burn type person. A good critiquer can tell you what’s wrong in a manner that helps you learn and that is so beneficial.

I laugh and say I’m the Goldilocks of critique groups. The first one I went to was too hard, the people were mean. They said they didn’t like my writing, but they really didn’t care for the genre. The next one was too soft. They liked to sit around and drink wine rather than critiquing. Not that drinking wine is bad, but I wanted feedback. Then I found the Thursday group and it was just right. I don’t think I’d be where I am if it weren’t for the Thursday critique group helping me. I am a big fan of critique groups.

You can find out more about MAMA and her antics at DebraSharp.com

 

Using Isolation for your Novel Characters

Waiting out Hurricane Irma with no power, and no phone service got me thinking about isolation. Humans are inherently social creatures. We seek the company of others. I was fortunate to have my husband with me so there was plenty of conversation, but also time to contemplate. We as humans need conversation, we want to be included in groups, whether it’s a sports team or a religious group or even a fabulous critique group. I thought about the long term effects of isolation to a person and how it could affect one’s character.

Psychologists say that socialization is critical for the mental health of children and seniors. There are two types of isolation: social and physical. Social isolation occurs when someone feels they don’t fit in. Bullying is a prime example as is the archaic practice of shunning. Physical isolation occurs if someone is tangibly prevented from interacting with others like in a kidnapping. People can both mentally and physically isolate themselves from intense fear like a survivalist who lives in the woods.

Social isolation has been used as a tool in many thrillers. Children who are bullied can become serial killers as in The Wilderness of Ruin, a true crime novel about Jesse Pomeroy, a boy who at the age of fourteen became a serial killer.  Adults can be bullied at work, leading someone to ‘go postal’. The Shunning by B. Lewis is a story about a bride shunned by the Amish.

Think about how isolation would affect you. If you suddenly ended up alone in a desperate situation would you shrivel up and cry or organize your thoughts to figure out a necessary strategy? Would you become increasingly depressed until you couldn’t function, or would you be so anxious you’d have a heart attack?

 

Studying how isolation affects human nature can be useful in plotting or as backstory for one of your characters. The effects of isolation can enhance your characters actions and motivations. Use isolation to increase tension, and heighten suspense to keep your readers turning the pages as fast as a hurricane.

Hurricane Irma Madness

The Tuesdays met yesterday before hurricane Irma headed our way. Melody is moving along with lots of emotion in her current WIP. Faran started a new story, sure to please all sports fans. I read a revised edition of the last two chapters of my WIP. Jonathan entertained us all with the wit in his next hilarious middle grade novel.

We are all in the midst of hurricane prep or driving out of the state to avoid Irma so the Tuesdays will not be postingfor a while. We hope those of you who live in Irma’s path stay safe and that your electricity returns quickly.

 

 

Wrap it Up Wednesday for the Tuesday Writers

The Tuesdays met at Jonathan’s house shortly after the rain stopped in West Broward. Parker, Jonathan’s dog, trekked down the stairs to greet us all and spent an extra amount of time checking out Faran who is back after a hiatus at summer camp.

Faran read the climax of a Y/A baseball novel he’s been working on. The pacing and tension were amazing. We were on the edges of our chairs feeling a whole range of emotion for the main character, his best friend, his girlfriend and the entire baseball team.

Cathy has a new character that just showed up in her novel. He’s wreaking havoc all over the place. The Tuesdays love the chaos he’s creating.

Melody’s chapter had her main character grappling with issues about a boy she likes. It related concepts regarding money and morals. Melody reflected the morality beautifully with a slimy smile on a character’s face.

I read a scene that I added to the climax of my work in progress. The Tuesdays liked the addition, but suggested relocating it.  We discussed moving it forward and adding to an existing scene to maximize the ramping up of tension for the grand finale.

 

Jonathan is cranking out another hilarious middle grade novel. Even though he has a short deadline with his publisher, he manages to continue to ace the funny stuff. The Tuesdays were excited to find a small fix for Jonathan’s WIP. We know it was only because he’d had a busy week hosting his launch party.

Stacie didn’t join us this week. She’s spending quality time with her daughter before college starts. We’re looking forward to seeing everyone next Tuesday.

Do you use a Checklist for Revision?

I’m in the process of revising my work in progress. I love revision because it gives me a chance to catch weak areas and deepen what I’ve written. I’ve always been a checklist person as well. I find them efficient and time saving. Here’s a revision checklist I’ve created for myself from the classes I’ve taken and how-to books I’ve read.                                         

Opening:

  • Does the story start with momentum or too much backstory?
  • Mood of Chapter 1 where I want it?
  • Strong first line and first page?
  • Is the main character likeable?
  • Is the hero in a situation that shows the conflict or what needs to change?

Plot and Structure                                                         

  • Do the main plot points fall at about ¼, ½, and ¾ of the way through the book?
  • Does the plot escalate?
  • Can I raise the stakes?
  • Does each scene have an arch?
  • Is the chronology correct?
  • Is there any point where a reader might feel like putting the book down?
  • Is there a symbolic death in the middle so the hero can rebuild?

Language

  • Watch for clichés in sayings or action that is too typical.
  • Check for dead verbs. (I use ‘moved’ way too much)
  • Look for boring, non-specific nouns that can jazz things up with better description.
  • Watch for accidental alliteration or places to use alliteration to intensify a situation
  • Check the exposition. Does it enhance mood or tone?
  • Does the dialogue have conflict with very little stage direction?

Characters                                                                    

  • Do the most significant characters each have an arch?
  • Can the reader feel the character’s emotion?
  • Is my main character’s dilemma too strong for him to quit?
  • Is there a strong reason the characters have to stick together?
  • Does the villain have the ability to kill my hero or crush his career, his health, his family?
  • Does my hero’s voice have substance? Does it fit the age, gender? Does it draw in a reader?

Theme

  • Is the theme evident?
  • How have I brought out theme? Recurring patterns, viewpoints, messages?
  • Does the theme come out organically? Does it feel lectured?

Endings

  • Does each scene end in the right place? Could it stop a paragraph or two sooner?
  • Can I split a scene to create a cliff hanger?
  • Can I make the ending of a scene stronger with more worry, a big decision, a strong statement?
  • Is the climax a do or die situation?
  • Does the resolution wrap up all loose ends and feel satisfying to the reader?

First drafts are a blur of ideas arriving on the page as fast as you can get them there. Revision is a calculated process with lots of checking and re-checking all the components that make up your novel. Slowdown in revision and enjoy the world-changing power and privilege of writing.

When you find a Personal Flaw in your Writing

Summertime makes it more difficult for all of the Tuesdays to get together because we are all taking time to get away and relax. Yesterday we were excited to have almost all the Tuesdays back together. The only one missing was Faran who is out until mid-August.

So what did we talk about once we’re all back together? Jonathan’s book launch coming up next month, of course! When a mysterious cuddle bunny showed up on the couch, it prompted Jonathan to decide that Faran should wear a bunny suit to Barnes and Noble in Plantation on August 10th. We all agreed that since he wasn’t there to decline, it was a fabulous idea.

When it came to reading, I did the chapter before the climax of my work in progress. The tension is ramping up at this point and the Tuesdays liked the pace, except when my character stopped to make a phone call. Even though it was a phone call of desperation, they said it slowed the pace too much. It was suggested that since the phone call shows a necessary act of desperation, that it be moved to the beginning of the scene, before things start getting really wild so that the pace can continue to accelerate.

It was also pointed out that my sidekick is way to calm dealing with horrific situations involving physical and mental health. This has been mentioned before and I have deepened the reactions of my sidekick, but notably not enough. The beauty of working with a good critique group for a long time is that we have all come to know each other’s backgrounds. It was pointed out to me that my female sidekick is behaving too rationally, like a nurse would in a similar situation. It was suggested that I let go of my nurse persona and let this character freak out like a normal person would in a similar situation.

This advice was presented in a way that helped me see not only what needed to be changed but gave me a long term view into watching for my own specific flaws when writing. I am eternally grateful to the Tuesdays for helping me grow as a writer.

Where do you go to get ideas for a novel?

Some people I know have ten plots for novels buried in the back of their brain waiting to be hatched. I have a couple of ideas of in the wings, but they’re floating around without any concrete development. Truth is that a magnificent fully formed book doesn’t just pop into your head. Where do ideas for novels come from?

The news is always full of bizarre stories that make me wonder about the lives of the characters portrayed in the incidents that end up being broadcast. Take the latest news about O.J. Simpson. With all of the things that have occurred in his lifetime, I could find myself mentally working in a character arc. Mystery Writers are always keeping an eye out for a juicy crime story or headline to flesh out and expand into a good book.

Experience can often lead to ideas for a novel. An epic failure or huge success can be fodder for your next work in progress. Many people start by journaling and expand on the components from there. Or you can eavesdrop on a conversation in the park and expound on someone else’s experiences. People watching in the park can give you some great ideas for characters too.

Reading can lead to ideas of what you might want to write. Perhaps you want to expand on a theory someone else proposed, or you feel they got it wrong and you want to tell the story a different way. Reading across many genres can attune you to new ideas.

Google whatever your heart desires, and see what comes up. Strange accounts, love stories, happy tales and bizarre capers are all waiting to be expanded. You can plot them out inserting your wonderful hero and dastardly villain while at the gym or driving your car.

Whatever your method, writing is a process. Even the most extreme plotters end up changing things as they go along. So pick a nugget of something you’ve heard or seen and get started on your next tale.

How Writers can use Podcasts for Book Promotion

Helping people live their true passion is Jaime (“Jemmy”) Legagneur’s mission, and she has found no more powerful tool than podcasting. By interviewing movers and shakers on her ‘Curve the Cube’ show, she offers real actionable nuggets to inspire others to go from being dreamers to being doers! Jamie co-hosts two other shows, is the organizer of the Palm Beach Podcasters MeetUp group, and is launching her own network, the Flint Stone Media Podcast Network.”

Thank you, Jaime for joining the Tuesday Writers.

Q. Not everyone is familiar with podcasts. Would you explain podcasts to our readers?

A podcast is the practice of using the internet to make a digital recording of a broadcast that a listener can download on demand to their computer or mobile device. Most are accessed via I-Tunes, not through traditional broadcasting channels.

Q. How can authors benefit from doing Podcasts?

Authors can use podcasts to sell their books and build their platforms. An author can find a show that has the type of audience they want to appeal to and reach out to the producer of the podcast. The author can then send in a request like a cover letter. Let them know who you are, your genre, a little bit about your book and why they would want to talk to you. Authors can also produce their own podcasts. For example, if someone writes a series that has a certain theme the podcasts could be about aspects of that theme.

Q. How could a not yet published author use podcasting?

A lot of people use podcasting to get their name out there. Musicians do it all the time. For an author it would be an excellent way to help build a social media platform so when their book is ready to present to an agent or editor, they can show that they already have a following.

Q. How can a writer prepare for a podcast interview?

Listen to other podcasts particularly some that are hosted by your interviewer. Communicate with your interviewer. Go over a list of pertinent topics to discuss. Ask if there is something they don’t want you to say, such as colorful language. Is there anything you don’t want them to ask? Remember to share information on how listeners can find you and your book at the end of the interview and to promote the show with your social media fans and friends.

Q. Is there anything a guest shouldn’t do for a podcast interview?

Don’t be late. Don’t insult the host or the show. Don’t reply to questions with straight yes or no answers. Remember it’s audio, they want people talking. Never oversell your book. A podcaster may drop the episode if you are harping on the sale or if the information given is not pertinent. And definitely don’t Twitter bomb with fifteen Tweets a day that have a direct link to the download from I Tunes.

Q. You said that most Podcasts don’t get broadcast. Can you give an example of some that do?

The KVJ morning show on 979 WRMF in West Palm Beach records all their shows. They post an ‘On Air’ package on their Facebook and You Tube pages when the show is over so fans can listen to them at any time.

Q. How did you get started doing podcasts?

I started a few years ago when the KVJ radio show in Miami was being disassembled from their radio station. I really like them and wanted to help keep them on the air so I started a massive campaign to promote them. There was talk about me being their promotional producer so I figured if I started podcasting, it would familiarize me with on-air media. I wasn’t happy with my current job at the time. I told myself if other people love what they’re doing, that I should too. KVJ ended up getting a morning slot on WRMF in West Palm Beach and the podcasting took off for me. Now I have episodes on the first and fifteenth of every month.

Q. What did it cost to get started in podcasting?

Initially, about $100. I had a computer already. I got a set of clip on microphones for myself and a guest for $60, editing software for $10 (which I don’t recommend doing), and the hosting was around $30.

 

Q. Are there analytics you use to measure effectiveness?

Absolutely! If you have the right hosting companies the analytics are right there for you. Stats can be broken down by region, by the type of device your listeners are using. You can dial into your stats to gear your podcast to a particular demographic or to people who listen to them on the go with their smartphones. Stats can help a podcaster gain sponsorships and advertising.

Q. How does podcasting differ from Periscope?

Periscope is live at the moment the person is filming. Podcasts are recorded and listened to on demand. Periscope has the visual element, like You Tube videos, people see the visual but don’t necessarily pay attention to the dialogue. When using a podcast it’s all about the words, so people tend to focus more on what is being said. It’s set up to be on demand so a person can listen at their convenience.

Q. What’s the most surprising thing you’ve found about Podcasting?

The power of it. To get a listener to say: “You’ve got me to curve my own cube.” When I went to Podfest last year I met this girl called Dr. D. Her show is called ‘The Sisters of Flow’. It’s about a woman’s monthly visitor. How bizarre is that? But what is powerful, is that there are cultures where the topic is never discussed. A girl who lives in a country or within a culture where there will never be any conversation on the topic can listen in and find out about her own body. That kind of information can be life-changing.

Thank you so much, Jaime for joining the Tuesday Writers.

You can find Jamie at: FlintStoneMedia.com. or her motivational site: CurveTheCube.com